Indelicacy isn't merely a book, it's a world; a world I wanted to live in, forever . . . Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart. --Claire-Louise Bennett, author of Pond
A haunted feminist fable, Amina Cain's Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.
In a strangely ageless world somewhere between Emily Dickinson and David Lynch (Blake Butler), a cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings around her. She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor--social and erotic--but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?
Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one's true calling.
*RIFFRAFF STAFF PICK* "A woman works as a cleaner at a museum in Paris until she meets a wealthy Brazilian there and marries for money. She lives a strangely luxurious life while still, every day, writing for herself. A peculiar novel in fairy tale-like prose." -Julia